Monday, March 31, 2008
Top 10 April Fools' work pranks
My friends, that is not a prank. That is one of the best ideas of all time!
Saturday, March 29, 2008
Why Do Wisconsin Sports Teams Always Choke In Big Games?
And therein lies the problem. Wisconsin sports are rife with good teams, but mostly lack the flashy type of superstar that can take a team on his back and win when nothing else is going right.
Now before you jump all over me, I'm not trying to say we have no superstars here in Cheesehead Nation. We do: the Packers had only one of the most respected and well-known quarterbacks of all time in Brett Favre. The Brewers are blessed with homegrown talent like Prince Fielder and Ryan Braun. The Bucks... okay, the Bucks suck right now and they need a coach that can get through to them to play defense. In the college world, the Badgers basketball team lacked that sort of player, while Marquette has some pretty good guards who, while solid, have nowhere near the cache of former player -- and bona fide stud -- Dwyane Wade.
So there are plenty of stars, it's just that I think the team is valued more overall here than the individual. That's really not surprising considering the blue-collar nature of my state. I don't think we'd have it any other way, honestly, but that sort of team breeds good regular seasons and mostly nothing beyond that.
Hell, even the individuals reflect our culture here.
Yes, Brett Favre has taken the Packers on his back and won some games, but he has also lost many games by doing that. More importantly, Favre has always seemed like "just one of the guys." He may very well be like a good ol' boy from the south, but at the same time he's like one of our own. As the face of the franchise, he reflects the culture of the team, which leads me to believe that Green Bay would never sign a head case like Terrell Owens or Randy Moss... two players that could have very well led us to a Super Bowl victory.
The Brewers young stars are just that: young. They lack the experience to carry a team. (Prince is close though. Very, very close.) I also think, at least last season, that the Crew lacked a killer instinct to take over a game and put it away. Perhaps this season will be different, I don't know.
Last, but not least, the Badgers b-ball team's best player last year was Alando Tucker. He was voted first-team All-American and almost won player of the year. He personified Wisconsin basketball (and Wisconsinites at large) thusly: He didn't have the prettiest shot or the flashiest moves; he just got shit done. Which is great until your team is down by 20 with 10 minutes to play...
I'm not trying to say the Packers should try and sign TO or that the Badgers would be better served with Stephen Curry on their team, (though with that kind of stroke from 3-point range, any team would love to have him) but rather that our culture here, whether in sports or in life, kind of forbids it in some sort of way. I mean, our teams just play solid, fundamental games and that's it... if certain players aren't into that, then they aren't welcome here.
Thursday, March 27, 2008
Annoying Songs to Play In Bars: Vol. 5 - Twin Spin!
Selecting a country song on your average jukebox is a prickly proposition. Unless you’re in a honky-tonk joint, the patrons will most likely be in their twenties and thirties and they hate – with a capital H! – country music as far as I can tell. This may make it seem like the perfect choice for an annoying song – and it is, mostly – but be careful, because there could be old people lurking around who like country. And there’s nothing lamer than having an old person jammin’ to your song.
It’s true that even people who aren’t hipsters might like a Johnny Cash tune or two. But what about Willie Nelson? Merle Haggard? Hank Williams Sr.? It just so happens that I – and I’m the only one of my friends, I believe – like all of these classic country artists and more. Hell, I even like Kenny Rogers. I’m not going to say that I’m a diehard fan; I’ve never gotten too deep into the catalogues of any of the aforementioned artists except for maybe Cash. But I do have my favorite singles, and some of them had stricken negative chord with the people in the tavern. Here are two of them.
Artist: Johnny Cash
Song: “The Legend of John Henry’s Hammer”
Album: At Folsom Prison
Length: 7:02
Let me start out by saying that I really don’t like this song that much. It’s not as bad as “The Ballad of Ira Hayes,” but still. It’s way too long for a Cash song, and besides that it’s mostly spoken word. This is not a good formula to follow. Inexplicably, the studio version of the track is on his 16 Biggest Hits album.
Of course, we’re not talking about the studio version, we’re talking about the version he performed at Folsom Prison. That version has some redeeming qualities: 1) It’s a minute and a half shorter – this keeps me from wanting to puncture my eardrums. 2) The live version is far more energetic, making the story somehow more compelling. This is important when you’re listening to an epic country song.
I’ve had a couple of jukebox experiences with this song:
At one place, it got skipped a couple of minutes into it. That wasn’t too big of a deal considering it was just one in a long line of many long songs.
The second place was a little more interesting. There was a group of girls there that apparently thought the place was a club, because they were interested in dancing. (Not with me, of course.) Naturally, I walked up to the jukebox to fix this nonsense and played ‘John Henry’ somewhere in my set. An Asian girl walked up to me.
Her: Did you play this?
Me: (big smile) Yeah.
Her: Can you play something else please?
Me: What, you don’t like Johnny Cash?
Her: No, I can’t dance to it!
Now if this was college and I thought I had a shot with her I might have tried to accommodate her request. But it wasn’t, so I didn’t. Why she and her friends were in a dump in the suburbs looking to dance was beyond me. At least the Man in Black didn’t disappoint.
I have devised a ratings system just for fun, and mostly because I thought it incredibly funny to use "Lars Ulrichs" as my rating instead of stars or numbers.
Ratings go from 1-5, least to most.
Obscurity: 4
A lot of people have at least heard of “Ring of Fire,” I Walk the Line,” or “Folsom Prison Blues.” Though this song is on 16 Biggest Hits, I doubt most younger fans know “The Legend of John Henry’s Hammer.”
Length: 4
Three minutes of an old country song is enough for a lot of people. But seven? You’re asking for trouble there.
Tuneoutability: 3
It’s not particularly loud, but the Cash-supplied train sounds and constant “hammering” make it difficult to ignore.
Overall: 3.5
Artist: Merle Haggard
Song: “Okie from Muskogee”
Album: Probably any greatest hits compilation
Length: 2:42
The reason I like this song is plain and simple: it’s anti-hippie. Granted, I’m not exactly in Haggard’s target audience. I’m not a hayseed or a hillbilly, nor am I a part of the urban sophistication he seems to be railing against in the song. I fall somewhere in between, which I guess is why I find “Okie from Muskogee” so amusing.
I was at the same suburban dump from the last song when I decided to go with some Merle. There were these black dudes there with their lady friends having a good time – which is cool, except that I fucking hate rap music for the most part. Instead of going in the direction my musical arch-nemesis would have taken – heavy guitars – I decided to go in a completely different one. I decided to play the whitest song I could think of. I decided “Okie from Muskogee” would be next.
It was beautiful. No one really knew what was going on, going from a gangsta rap track to an acoustic country tune. I silently and slowly bobbed my head, satisfied that I had conquered the jukebox once again.
Obscurity: 2.5
It depends. Are you an old-school country fan? If so, you’ve heard “Okie from Muskogee” before. If not, and your idea of country is Toby Keith or the Dixie Chicks, then this song might sound completely alien to you.
Length: 2.5
I think nearly three minutes of country – quiet as it may be – goes a lot further than a three minute pop song.
Tuneoutability: 2
It’s pretty quiet and not overly twangy, so it’s not too hard to tune out. But an abrupt shift from listening to a bunch of rap or metal songs to this should turn some heads.
Overall: 2.5


Wednesday, March 19, 2008
Not-so-breaking News

It only took me a year and a half, but I finally got a perfect game on Wii Sports Bowling. Considering I don't play the game every day and I only roll a few games when I do play it, I think that's pretty good.
Starting around frame 8, I noticed my shot had a little hook on it, which was worrying because I bowl straightaway in both real life and on the Wii. As with any perfect game, you gotta have luck - and I did. It looked as if I wasn't going to get the strike on the 12th and final roll, but the seven pin came crashing down after a heartstopping second. I wish I had the wherewithal to have video of that. Oh well.
My faith in music fans is renewed, if only for a minute

I know it's only Amazon (it didn't crack the ITunes top 10) so it's not that big of a deal, but still, a Death Cab for Cutie single beating out Flo Rida? Really? Say what you want about DCfC -- and I'm sure you will -- but an indie rock single at #1 for daily downloads, even if it is just Amazon, is pretty awesome.
Click here to listen to it for free.
Friday, March 14, 2008
Stories That Need to Be Told and the Ethics of My Storytelling
I was daydreaming again about being a famous author when something a professor once said to a writing class I was taking popped into my head: “All of you are here because you have stories that need to be told.” Those may or may not have been her exact words, but those words rang true. I wrote – and chose English-Writing as a major – because I felt I had something important to say and that other people would want to read those things. I would imagine others in the class felt the same way.
It’s no secret that I haven’t written much in the way of short stories like I did in college; everyone, naturally, asks “why?” My standard answer as of late has been that I simply have nothing more to say, that college seemed like the right place and time to write about what was bugging me. This still holds true; as you can see by reading the stories on the right, almost every one of them has to do with girls. I was the emo kid of short story writers, forever bitter and whiny towards any human being with a vagina.
Now, of course, I am in a long-term relationship and that bitterness, for the most part, has receded. What the hell do I write about now?
I tried my hand at writing about music, sports, politics, and anything else under the sun that I could think of. Though I wouldn’t say any of the stuff on this blog or any other one was horrible, I don’t think I’ve written anything that was particularly important either. When I wrote in college – and it could very well be the support of nurturing teachers and classmates that artificially pumped up my ego – I got this intense feeling of satisfaction after I wrote a story. I felt like I wrote things people could relate to and empathize with. I haven’t had that feeling since.
While I was daydreaming about being that famous author, I think I may have hit upon what I could write about that could be fulfilling on this end, and perhaps insightful and compelling on yours. I’m talking, naturally, about my life.
(Stop laughing.)
I don’t mean it as a biography or anything like that. Nobody wants to hear about a 26-year-old from the suburbs of a Midwestern city. I wasn’t raped or molested; I don’t lead a double life as a gigolo; no one close to me has died (yet). In fact, I am not imaginative enough to create a character that has endured any or all of those things. Hell, my most harrowing moment thus far has been having my wisdom teeth pulled out. The biggest culture shock I experienced was going from a Catholic grade school to a public high school. The general details of my life are boring and average.
I thought college was the period in one’s life where you’re supposed to find out who you are. All I learned was that I liked beer and didn’t like people much. I’ve been trying to figure out since high school why I am the way I am. Why don’t I talk to anyone? Why don’t I have many friends? And why don’t I make any effort to meet new ones? In short, why am I so fucked up in the head?
This is where ethics come into play. Though I’ll be a primary character, there are people in my life that will be involved in these stories too. What of them? I write in a primarily creative non-fiction style, meaning that the gist of the story is true but some details may be embellished to make it more appealing or because our memories are imperfect.
I don’t have that tiny little editor in my head that says, “If you write this, there’s a good chance you could hurt someone you love.” On the one hand, I don’t really care because truth is truth and it needs to be told. On the other, I have few meaningful, good relationships as it is and I don’t really want to do anything to jeopardize them.
I need to make something clear about this: I don’t have dirt on these people. I don’t know any other way to explain what I’m talking about other than that they may be things that could be said, but shouldn’t or at the very least don’t really need to be.
An example: My relationship was shaky at best with my dad during my teen and college years (yeah, yeah, who’s wasn’t?) – it’s important to me because I feel it shaped who I am as a man – yet do I have to right to say things that may or may not be hurtful about a man who put a roof over my head and put me through school?
I don’t know. I can feel myself rambling now, again, and it’s of no use because I don’t have anything concrete in my mind anyway…
My idea for this project was a weekly blog comprising of mostly essays but some short stories too. Think anyone would like to read that? Would it be too much of a downer? Is the potential for jeopardizing my close relationships too great? Would anyone care?
I’ve been wrestling with this the last few days, and would love to hear what you think.
NCAA Tournament Time or Why It's Hard to Root for Marquette or Wisconsin
Under most circumstances, I don’t pay a lot of attention to collegiate athletics – I went to a D3 school where no one gave a shit about the sports teams – but there’s something about the one-and-done, do-or-die nature of the tournament that has sucked me in for the better part of the last 10 years or so. The Cinderellas. The “5-12” upset special. Mid-majors. “One Shining Moment.” Gus Johnson. A 16 seed coming thisclose to beating a 1. All these things and more go into putting the “mad” into March Madness.
It’s sort of easy to root for an underdog. I think it’s something deep in the American psyche to want to see David topple Goliath, especially when David is a small-town school with no athletic scholarships and Goliath is a national powerhouse. There’s something about seeing fresh-faced kids playing under the bright lights, unfazed by the pressure but sitting with arms locked on the bench, living and dying with every shot that makes it difficult to look away.
A few years back, 16-seed Albany almost took down 1-seed Connecticut. In fact, Albany was leading by ten with 10 minutes to play. Now I don’t know anyone from Albany, NY, but as the minutes wound down and it became more apparent that the Great Danes would fade away into the gentle night, I felt like one of their students must have felt – shellshocked, bummed, yet proud that their team took a perennial contender to the limit.
Besides rooting for obvious underdogs, I will always wish my home teams well. Most years, these are Marquette and Wisconsin. I’m not going to wish ill will on either of them, but I’m not going to cheer outright for them either. You can mark this down in your file of reasons Kevin is a spiteful son of a bitch if you wish, because my reasons have nothing to do with the style of basketball they play. (Their styles and personnel, by the way, will get neither past the second round in my opinion.)
It was 2003, and both Wisconsin and Marquette has pretty damn good basketball teams. Wisconsin had Devin Harris and others, Marquette had soon-to-be superstar Dywane Wade and Travis Deiner, who embodied the work ethic of Wisconsinites everywhere. It was the best of both worlds; I could root for both teams to make it far and if one lost, the remaining team was just as good if not better.
The tournament started and both squads made deep runs. Good for Wisconsin, bad for me. You see, I didn’t have cable television at the time, and antenna reception was spotty at best so when it came time to watch the later rounds I had to watch the game at my roommate’s friend’s house. I didn’t mind the friend so much; it was his girlfriend that bugged the shit out of me. She is the reason that I can’t put much effort into cheering for a Wisconsin-Madison basketball team.
She was all about Wisconsin to begin with, being from Madison and all (which is strike number one in my book) and then she went on to say how much Marquette sucked and wanted them to lose. This was fine, I guess, but her personality grated and grated on me with her stupid fucking Mac Book and her terrible taste in music. If I heard her describe Dave Matthews or Jason Mraz or whatever-the-fuck pseudo-hippie bullshit was popular at the time as “amazing” one more time, I was going to punch her in the throat. Now I know that not all kids from Madison are like that, but I was fully prepared to embrace the newly-evident stereotype and disown Wisconsin-Madison basketball forever.
Marquette eventually surpassed Wisconsin on its way to a Final Four berth, where they promptly got blown out. Oh well, I still had the smug satisfaction from picking the right team.
(An epilogue: I don’t hate Wis-Madison so much now. I think that’s because, last year, the media’s lips were placed firmly around Greg Oden’s cock. I was quite happy yelling at the TV when Wisconsin beat Ohio State in Madison.)
So why don’t I like Marquette anymore?
It’s really quite easy. I work not for, but on, Marquette’s campus. I see the students every goddamned day waiting for the bus. You want to talk about a smug sense of self-satisfaction, take a look at these rich, privileged kids. Most of the guys look like typical rich, frat-boy douchebags – and stupid, rich frat-boy douchebags too because I’ve seen them walking down the street with cases of Natural Light. If mommy and daddy are paying for school – and it’s true that I can’t say for sure whether or not they are – don’t you think you could at least spring for a Miller product? And the girls - don’t even get me started. Let’s just say they look down on me with disdain.
I know it’s a very shallow reason not to like a team, but that’s really all there is to it. It’s hard, though, because I think Tom Crean is a great coach and Dominic James is fairly exciting to watch. Maybe one day I’ll grow up and not be so concerned with what college kids are doing.
I guess I’ll just have to sit back and wait until UW-Milwaukee gets a good team again.
Saturday, March 8, 2008
Annoying Songs to Play at Bars: Vol. 4
Album: Hooray for Boobies
Song: "A Lap Dance Is So Much Better When the Stripper is Crying"
Length: 5:38
"I was lonlier than Kunta Kinte at a Merle Haggard concert," kicks off perhaps one of the funniest -- and most disturbing -- songs of the last 20 or so years. I've been a Bloodhound Gang fan since I first heard "Fire Water Burn" in '96, so I'm quite used to their demented -- and oh so clever -- brand of humor. The patrons of your favorite drinking establishment, however, may not agree with you.
I can't imagine the three of you that read this blog have never heard of the BHG, so I don't have to describe their overall sound to you. As far as this song is concerned, it's basically Jimmy Pop talking over -- and I believe I stole this from a review of a Madonna song -- game boy synths about picking up this trashy girl and having sex with her. From that description it sounds like it could be a lame-ass hair metal song, but when Jimmy goes on and on about his fantasy of "Jesus Christ jackhammering Mickey Mouse in the doo-doo hole with a lawn dart while Garth Brooks gives birth to something resembling a cheddar cheese log on his tummy-tum," you know that you have entered the world of the extremely bizarre.
(You know what's sad? I didn't even have to look that line up. Maybe now I know why I couldn't get girls in college.)
I can personally vouch for this song being annoying on not one but two occasions.
The first was in college: Me and a buddy went to a bar on a Wednesday night, before it got very busy. (All you can drink for $7 was the deal that night) So I decided to play some music while I still had the chance, and when the song came on we both giggled like schoolgirls because the song is just so damn funny.
The "bouncers" (read: ID checkers) were split on their opinion of the song. One guy thought it was awesome, the other guy thought it was total shit and bitched about it through the entire song. We decided to leave soon thereafter, but because the one guy was a dick and complained through the whole thing (there weren't a whole lot of people at this point, so we heard it all) I left him a little present on the jukebox: a first-ballot hall-of-fame annoying song - "2112" by Rush. All seven parts of it totaling just over 20 minutes. Fuck him.
The other occurrence might just be more heinous. This particular bar has been problematic at skipping my songs (see "God Only Knows") so I don't really know why I keep trying. But I soldiered on, and decided to play it cool with Pink Floyd's "Time." Well, they skipped that one halfway through, and I had had a few whiskey and cokes before I went out so I was ready to riot. Of course the next song had to be 'Lap Dance' and I knew the douchebag bartender wouldn't stand for that. It lasted maybe a minute and that was it.
I have devised a ratings system just for fun, and mostly because I thought it incredibly funny to use "Lars Ulrichs" as my rating instead of stars or numbers.
Ratings go from 1-5, least to most.
Obscurity: 2.5
A lot of people are familiar with the Bloodhound Gang, yet I think that familiarity stops with the big hits like "The Bad Touch" and "Fire Water Burn." Still, if you like the BHG, chances are you've heard this song at some point. And if not, you owe it to yourself to check it out.
Length: 3
The five minutes and thirty-eight seconds really aren't that bad, but the droning nature of the song makes it seem so much longer.
Tuneoutability: 2
If the volume isn't turned up in the joint, this song will not rise above the din. If it is, that's great, but once again the droning nature and the monotone vocals make it kind of easy for someone to ignore the song. Then again, a country-style vocal of "A lap dance is so much better when the stripper is crying" might cause people to take notice.



The ratings betray how annoying this song actually is, as I've personally had this song skipped twice, so we'll split the difference and give it two-and-a-half Ulrichs.
Tuesday, March 4, 2008
Life Without Brett
You know, I really wanted to write something about Favre's retirement today, but I just couldn't find the words. Needless to say, I am both dumbfounded and depressed, yet happy that Brett went out on his own terms. I imagine whatever I would have written would have went something like this.